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Curation & Consult

Let's get it together

Monet Water Lilies
Water Lilies, Monet
L'Orangerie · Paris

80 museums and counting

80 museums and counting since 2023 — admiring, studying, buying, and gabbing about art.

Louvre
Venus de Milo
The Louvre · Paris
Orsay
Grand Salon
Musée d'Orsay · Paris
Alaia Mugler
Azzedine Alaïa × Thierry Mugler
Musée Azzedine Alaïa · Paris
Moon Phases
Moon Phases · Artist Unknown
Atlanta Contemporary Art Center · Atlanta
Kehinde Wiley
Kehinde Wiley
Mint Museum · Charlotte NC
Lynn Drexler
Untitled, Lynn Drexler
Mint Museum · Charlotte NC
Columbia
Salon Room
Columbia Art Museum · Columbia SC
Rothko
Mark Rothko
National Gallery of Art · Washington DC
Art fair 1
Art Fair
Supporting artists · In the room
Art fair 2
Art Fair
Uplifting artists · In the room
Leila Farhan
Leila Farhan
Exhibition opening · Atlanta

"You haven't been to a gallery until you've been with Sunnie. She will blow your mind."

— A fellow traveler, Paris art walks

Put me in the room

I have been called a lot of things in museums. Obsessive is not the least of them. I can hold a room — any room — on the relationship between 19th century French Impressionism and the American conservation movement, why Napoleon's looting campaigns still shape what we consider "canonical" art today, how urbanization in Paris gave rise to bohemian culture and changed art forever, and why the human hand making marks in traditional media is one of our most powerful responses to the rise of AI.

What I don't do is ask "how does this make you feel?" Asking better questions invites my audiences to carry the piece home with them (in their heart and sometimes in the car!) and change the way they witness art.

Sample Art Talk Topics

The Impressionist Rupture
How a group of rejected painters changed what art was allowed to be — and why it still matters.
Napoleon and the Canon
What looting tells us about power, ownership, and whose stories get told — and what we can see happening now.
AI and the Human Hand
Why making things by hand is a political act right now, and why the forecast of AI taking over is dark but not inevitable.
The Feminist Gaze
Using the master's tools outside masculine constructs — from radical non-linear filmmaking of the 1970s to the female gaze turned back on itself.
Art and the Environment
French Impressionism, American conservation, and the landscape as subject — a conversation that persists.
How to Look at Anything
An interactive method for standing in front of work that stops you cold — with better questions than "how does this make you feel?"

Now Accepting

Sunnie Salons

An invitation-only gathering around art, ideas, and conversation. Unforgettable by design. Get on the list and I'll be in touch when the next one is announced.

Get on the list. →
What I Offer

Available for your room

Gallery Opening Talks
A bespoke talk for your opening — contextual, engaging, calibrated to your audience.
Museum & Gallery Tours
Guided tours that go beyond the wall label. I connect, contextualize, and make the work land.
Art Walks
Bringing loads of experience from Paris, London, New York, Atlanta. On foot, in the room, fully present.
Corporate & Institutional Programming
Art talks and workshops for organizations that want their people to think differently.

Shows in development

Exhibition in Development
Return of Gaia
We have spent centuries extracting from the earth as though she were a resource rather than a relative. This exhibition asks: what comes after? Not collapse — return. Return of Gaia brings together works that imagine the earth not as victim or backdrop but as active, generative, sovereign force reclaiming her place. The works span painting, sculpture, textile, and land-based installation, united by a shared insistence that nature is not waiting for our permission to reassert herself. She is always creating herself.

Origin work: "Nice Try," Sunnie Anand, 2026
Exhibition in Development
Beyond Wear
Textile has always carried a double burden — it must be useful, and it must be beautiful. This exhibition refuses the first requirement entirely. Beyond Wear presents textile works that exist purely as art objects: no body is implied, no function intended, no wearability required. What remains when cloth is freed from the body?

Form, memory, labor, politics, and an almost unbearable intimacy of materials.
Exhibition in Development
The Creator Caste
In many South Asian communities, the script for women is written before they arrive: study hard, marry well, hold the family together, and if something creative stirs inside you — manage it quietly. If she's in the US, the imported virtue of ladder climbing adds yet another life step: become a high-paid professional (I see you, Pharmacist sisters.)

This exhibition does not ask Desi women to abandon their roles. Instead, it recognizes those who chose to add themSelves to the list. The Creator Caste features works by South Asian women of the diaspora who have claimed creative selfhood — not necessarily as their primary identity, but certainly as a legitimate one. In communities where making art as a hobby is already a small revolution, this exhibition honors every point on the spectrum of that claiming: the woman who paints on Sunday mornings, the one who left her career, the one who never stopped despite all the other loads she was carrying. The works span painting, textile, mixed media, and photography, united by a single insistence — claiming the Self is a valid and radical act of courage and autonomy.

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"Every shred of art is deserving says my heart."

— Sunnie

This is what happens when a collector moves in

Let's make something beautiful. reach out →